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Tascam DM-24
Digital mixing console

DM-24

The DM-24 is an entirely new designed, powerful and affordable small-format digital recording console with 32 channels. With excellent audio quality, highly flexible routing, extremely powerful built-in automation, built-in professional-quality effects, dynamics processing and parametric EQ, and flawless interaction with the MX-2424 hard disk recorder, the DM-24 is destined to become the centerpiece of great studios around the world.

DM-24 DisplayMasterly Sound Quality. With premium-quality 24-bit A/D and D/A converters and up to 96kHz sampling rates, the DM-24 is designed to take your mixes into the future of recording. Whether you're mixing for standard CD mastering or more advanced applications in surround encoding or DVD authoring, the DM-24's superb audio quality blows away the standards in affordable digital mixing.

New SHARC DSP chips allow 32-bit floating point processing. As a result the DM-24 offers more digital headroom when applying dynamics processing and time based effects and in the end this enhances the overall sound quality. By the way, the DM-24 offers 16 of the best mic preamps that TASCAM has ever made. It also features four custom-designed LED ring encoders on the EQ knobs that can be assigned as aux sends or EQ and Pan – sound and aux level adjustments are so much easier now!

24-bit, 96kHz Performance From Day One. With 96kHz sampling rates, the DM-24 is designed to take your mixes into the future of recording. Whether you're mixing for standard CD mastering or more advanced applications in surround encoding or DVD authoring, the DM-24's superb audio quality blows away the standards in affordable digital mixing. 96kHz is the standard audio sampling rate for DVD video discs also for the new DVD-A (DVD Audio) discs that are just starting to appear on the market. (Please note that in 96 kHz mode the number of channels is halved.)

One Of The Most Powerful Automations Available – At Any Price. Completely built into the mixer with no external computer or software required, the DM-24 offers the most comprehensive automation capabilities ever designed into a compact digital mixer ... bar none. Up to eight entire mixes can be stored in the DM-24. Once a new mix is opened, the DM-24 automatically goes into its automation mode so that any static changes you make are instantly saved. Plus, you can offload all automation data via MIDI.

Flexible Interfacing. Whether you're working with digital or analogue systems, the DM-24's standard interfaces allow easy integration into any studio environment. In addition to its 16 analogue inputs with XLR mic and 1/4" line inputs on each channel, it includes 24 channels of TDIF interfacing plus eight channels of ADAT Optical I/O, two stereo AES/EBU and two stereo S/PDIF interfaces. Two option slots are also provided for additional 8-channel analogue and digital interface modules.

GPI outputs. The "General Purpose Interface" is a simple control interface that sends trigger signals to external equipment like tally devices (e.g. a "RECORDING" sign beneath the control room door) etc.

DM-24 EQ-BereichFull-featured Channels. Each channel of the DM-24 offers noise gate/expander, a four band fully parametric equalizer, a noise gate and a compressor that can be configured either pre or post EQ. There is also a digital delay on each channel to compensate for microphone placement and digital converter delays when using external analogue equipment. The DM-24 also features 1/4" TRS inserts on each channel, as well as detailed capabilities of routing audio internally throughout the mixer. Extensive outputs and monitoring choices are also provided. All faders are motorized and touch-sensitive with respect to automation allowing easy and comfortable operation.

Professional Dynamics Processing, EQ and Effects. You may not ever need to turn to outboard effects processors, equalizers or compressors with the DM-24. With fully-parametric 4-band EQs and compression on each channel plus highly-configurable gates for channels 1–16, the DM-24 offers everything you need for great mixes built right into the mixer. Each channel also features a custom-designed delay with an innovative circuit design that compensates for fixed latencies within a digital studio.

DM-24 Mashine controlAlso, the effects available on the DM-24 are comparable to the best effects found in professional studios worldwide. It's easy to understand why: TASCAM has teamed up with TC Electronic and Antares to offer high-quality reverb, mic modeling and speaker modeling for the DM-24. Fully adjustable to your tastes, the DM-24's effects are of high enough quality for primary vocal tracks with the convenience of being an integral part of the mixer itself.

As an affordable mixer with true 96kHz capabilities and full 24-bit performance throughout the signal path, the DM-24 is perfect for interacting with the TASCAM MX-2424 24-Track 24-Bit Hard Disk Recorder. Full transport control, LED ring encoders, hierarchical grouping and smooth 100mm long-throw faders make it an excellent console for any serious studio.



Options

IF-FW/DM FireWire expansion card
IF-CS/DM Cascade card (Operation of two DM-24 like one large mixing console)
IF-TD/DM TDIF expansion card (8 audio channels in both directions, TDIF-1 format)
IF-AD/DM ADAT expansion card (8 audio channels in both directions, ADAT Optical format)
IF-AE/DM AES3 expansion card (8 audio channels in both directions, AES/EBU format)
IF-AN/DM Analogue expansion card (8 analogue inputs and 8 analogue balanced outputs)



Main features

Fully 24-bit, 96kHz compatible from day one

Flexible 32-channel configuration

Standard 24-channel TDIF digital I/O interface and 8-channel ADAT Optical digital interface, two stereo AES/EBU interfaces, two stereo SPDIF Interfaces

16 Standard analogue inputs (XLR mic and 6.3 mm line) with TRS insert jacks on every channel

Advanced microphone preamps

Powerful built-in automation (radical departure from any previous system, no computer required)

100mm motorized long-throw faders

Premium-quality 24-bit A/D and D/A converters

Two option slots for additional interface modules (including AES/EBU, analogue, TDIF or ADAT)

High-quality configurable Gate, EQ and Compressor on each channel (2 stage dynamics processing)

4-band, fully parametric EQ with gain, frequency sweep and Q (bandwidth) on each channel

 

Digital delay on each channel to compensate for microphone placement and digital converter delays when using external analogue equipment

Two built-in effects processors with reverb, spatial effects and mic/speaker modeling effects by TC Worksâ„¢, Antaresâ„¢ and TASCAM

32 bit floating point processing offers more digital headroom when applying dynamics processing and time based effects

Comprehensive user interface, featuring large LCD screen and LED ring encoders

Two DM-24s can operate as a single integrated console via cascade mode

Extensive machine control, therefore excellent for systems built around the TASCAM MX-2424 Hard Disk Recorder

Perfect for applications from personal studios recording to commercial recording and post production facilities



Specifications

Analogue input/output terminals
MIC IN 1-16   XLR-3-31, balanced
   Nominal impedance   2.2kohm
   Input level   -56dBu (TRIM max) to -2dBu (TRIM min)
LINE IN 1-16   1/4-inch TRS jack, balanced
   Nominal impedance   10kohm
   Input level   -42dBu (TRIM max) to +12dBu (TRIM min)
INSERT 1-16   1/4-inch TRS jack, balanced
   Nominal output impedance   100ohm
   Nominal output level   -2dBu
   Maximum output level   +20dBu
   Nominal input impedance   10kohm
   Nominal input level   -2dBu
   Headroom   16dB
ASSIGNABLE SENDS 1-4   1/4-inch TRS jack, balanced
   Nominal impedance   100ohm
   Nominal level   -2dBu
   Maximum level   +14dBu
ASSIGNABLE RETURNS 1-4   1/4-inch TRS jack, balanced
   Nominal impedance   5kohm
   Nominal level   -2dBu
   Headroom   16dB
2TR IN (L/R)   RCA jack, unbalanced
   Nominal impedance   10kohm
   Nominal level   -10dBV
   Headroom   16dB
STEREO OUTPUT (L/R)   XLR-3-31, balanced
   Nominal impedance   100ohm
   Nominal level   +4dBu
   Maximum level   +20dBu
STEREO INSERT (L/R)   1/4-inch TRS jack, balanced
   Nominal output impedance   100ohm
   Nominal output level   -2dBu
   Maximum output level   +14dBu
   Nominal input impedance   10kohm
   Nominal input level   -2dBu
   Headroom   +22dB
CR MONITOR OUTPUT (L/R)   1/4-inch TRS jack, balanced
   Nominal impedance   100ohm
   Nominal level   +4dBu
   Maximum level   +20dBu
STUDIO MONITOR OUTPUT (L/R)   RCA jack, unbalanced
   Nominal impedance   100ohm
   Nominal level   -10dBV
   Maximum level   +6dBV
PHONES 1-2   1/4-inch stereo phone jack
   Max output power   120mW + 120mW in total, 33ohm


Digital input/output terminals
DIGITAL INPUT 1 (built-in switchable Fs converter, connector selectable)
(1) Connector   XLR-3-31 type, balanced
   Nominal impedance   110ohm
   Format   Conforms to AES3-1992/IEC60958 (auto-detect)
   Audio bit length   24 bit
(2) Connector   Coaxial
   Nominal impedance   75ohm
   Format   Conforms to AES3-1992/IEC60958 (auto-detect)
   Audio bit length   24 bit
DIGITAL INPUT 2 (built-in switchable Fs converter, connector selectable)
(1) Connector   XLR-3-31 type, balanced
   Nominal impedance   110ohm
   Format   Conforms to AES3-1992/IEC60958 (auto-detect)
   Audio bit length   24 bit
(2) Connector   Coaxial
   Nominal impedance   75ohm
   Format   Conforms to AES3-1992/IEC60958 (auto-detect)
   Audio bit length   24 bit
DIGITAL OUTPUT 1    
(1) Connector   XLR-3-31 type, balanced
   Nominal impedance   110ohm
   Format   Conforms to AES3-1992/IEC60958 (selectable)
   Audio bit length   24 bit
(2) Connector   Coaxial
   Nominal impedance   75ohm
   Format   Conforms to AES3-1992/IEC60958 (selectable)
   Audio bit length   24 bit
DIGITAL OUTPUT 2  
(1) Connector   XLR-3-31 type, balanced
   Nominal impedance   110ohm
   Format   Conforms to AES3-1992/IEC60958 (selectable)
   Audio bit length   24 bit
(2) Connector   Coaxial
   Nominal impedance   75ohm
   Format   Conforms to AES3-1992/IEC60958 (selectable)
   Audio bit length   24 bit
TDIF-1 Port 1-3   25-pin D-sub, female
   Format   Conforms to TDIF-1 specification
   Audio bit length   24 bit
ADAT (IN/OUT)   Lightpipe optical
   Format   Conforms to ADAT OPTICAL specifications
   Audio bit length   24 bit


Sync and other terminals
WORD SYNC IN   BNC with termination switch
   Nominal impedance   75ohm, switchable on/off
   Input level   TTL level
WORD SYNC OUT/THRU   BNC
   Output level   TTL level
MIDI IN, OUT and THRU/OUT2   5-pin DIN x 3
   Format   Conforms to MIDI specification
TIMECODE IN   Coaxial
   Format   Conforms to SMPTE specification
DTRS REMOTE OUT   15-pin D-sub, male
   Format   Conforms to DTRS SYNC format
RS-422 (for SONY 9-pin)   9-pin D-sub, female
EXT SW   1/4-inch mono jack
METER (for MU-24)   25-pin D-sub, female
Faders   100mm touch-sensitive motor-driven faders x17
   Resolution   128 steps
GPI   9-pin D-sub, female


Overall system specifications (fs=48kHz)
Sampling Frequency    
   Internal   48 / 44.1kHz , 96 / 88.2kHz (high sampling)
   External   within ±6.0% from fs
Signal Delay   <1.5 ms (LINE IN to STEREO OUTPUT)
THD (@ nominal level)  
LINE IN to INSERT SEND, 20Hz - 20kHz   <0.1%
LINE IN to STEREO OUTPUT, 1kHz   <0.01%
Frequency Response (LINE IN to STEREO OUTPUT @ nominal level)   20Hz-20kHz, +0.5/-1.0dB
Noise Level (20Hz - 20kHz, TRIM: max, 150ohm, -60dB)    
   MIC IN to INSERT SEND   <-127dBu, typical -128dBu
   MIC IN to BUS/AUX OUTPUT   <-73dBu
Crosstalk (@ 1kHz)  
   STEREO/BUS/AUX OUTPUTS   >80dB
   MONITOR OUTPUTS   >70dB
Displays    
LCD   320 x 240 dots LCD with backlight & contrast control
METER   2 x 12 segment LED


Power Supply and Other Specifications
Voltage requirements   120V AC, 60Hz / 230V AC, 50Hz
Power consumption   82 W
Dimensions (W x H x D)   580mm x 140mm x 592mm
Weight   20.5kg ( 9.3lbs)

Design and specifications subject to change without notice.