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Tascam DM-24
Digital mixing console
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The DM-24 is an entirely new designed, powerful and affordable small-format digital recording console with 32 channels. With excellent audio quality, highly flexible routing, extremely powerful built-in automation, built-in professional-quality effects, dynamics processing and parametric EQ, and flawless interaction with the MX-2424 hard disk recorder, the DM-24 is destined to become the centerpiece of great studios around the world.
Masterly Sound Quality. With premium-quality 24-bit A/D and D/A converters and up to 96kHz sampling rates, the DM-24 is designed to take your mixes into the future of recording. Whether you're mixing for standard CD mastering or more advanced applications in surround encoding or DVD authoring, the DM-24's superb audio quality blows away the standards in affordable digital mixing.
New SHARC DSP chips allow 32-bit floating
point processing. As a result the DM-24 offers more digital headroom
when applying dynamics
processing and time based effects and in the end this enhances
the overall sound quality. By the way, the DM-24 offers 16 of the best
mic preamps
that TASCAM has ever made. It also features four custom-designed
LED ring encoders on the EQ knobs that can be assigned as aux sends or
EQ
and Pan – sound and aux level adjustments are so much easier now!
24-bit, 96kHz Performance From Day One. With 96kHz sampling rates, the DM-24 is designed to take your mixes into the future of recording. Whether you're mixing for standard CD mastering or more advanced applications in surround encoding or DVD authoring, the DM-24's superb audio quality blows away the standards in affordable digital mixing. 96kHz is the standard audio sampling rate for DVD video discs also for the new DVD-A (DVD Audio) discs that are just starting to appear on the market. (Please note that in 96 kHz mode the number of channels is halved.)
One Of The Most Powerful Automations
Available – At
Any Price. Completely built into the mixer with no external computer or software required, the DM-24 offers the most comprehensive automation capabilities ever designed into a compact digital mixer ... bar none. Up to eight entire mixes can be stored in the DM-24. Once a new mix is opened, the DM-24 automatically goes into its automation mode so that any static changes you make are instantly saved. Plus, you can offload all automation data via MIDI.
Flexible Interfacing. Whether you're
working with digital or analogue systems, the DM-24's standard interfaces
allow easy
integration into any studio environment. In addition to its
16 analogue inputs with XLR mic and 1/4" line inputs on each channel,
it includes 24 channels of TDIF interfacing plus eight channels of ADAT
Optical I/O,
two stereo AES/EBU and two stereo S/PDIF interfaces. Two
option slots are also provided for additional 8-channel analogue and
digital interface
modules.
GPI outputs. The "General Purpose Interface" is a simple control interface that sends trigger signals to external equipment like tally devices (e.g. a "RECORDING" sign
beneath the control room door) etc.
Full-featured Channels. Each
channel of the DM-24 offers noise gate/expander, a four band
fully parametric equalizer, a noise gate and a compressor that can be
configured either
pre or post EQ. There is also a digital delay on each channel
to compensate for microphone placement and digital converter delays when
using external
analogue equipment. The DM-24 also features 1/4" TRS inserts on
each channel, as well as detailed capabilities of routing
audio internally throughout the mixer. Extensive outputs and monitoring
choices are also
provided. All faders are motorized and touch-sensitive with
respect to automation allowing easy and comfortable operation.
Professional Dynamics Processing, EQ and Effects. You
may not ever need to turn to outboard effects processors,
equalizers or compressors with the DM-24. With fully-parametric 4-band
EQs and compression
on each channel plus highly-configurable gates for channels
1–16, the
DM-24 offers everything you need for great mixes built right
into the mixer. Each channel also features a custom-designed delay with
an innovative
circuit design that compensates for fixed latencies within
a digital studio.
Also, the effects available on the DM-24 are comparable to the best effects found in professional studios worldwide. It's easy to understand why: TASCAM has teamed up with TC Electronic and Antares to offer high-quality reverb, mic modeling and speaker modeling for the DM-24. Fully adjustable to your tastes, the DM-24's effects are of high enough quality for primary vocal tracks with the convenience of being an integral part of the mixer itself.
As an affordable mixer with true 96kHz capabilities and full 24-bit performance throughout the signal path, the DM-24 is perfect for interacting with the TASCAM MX-2424 24-Track 24-Bit Hard Disk Recorder. Full transport control, LED ring encoders, hierarchical grouping and smooth 100mm long-throw faders make it an excellent console for any serious studio.
Options
| IF-FW/DM |
FireWire expansion card |
| IF-CS/DM |
Cascade card (Operation of two DM-24 like one large mixing console) |
| IF-TD/DM |
TDIF expansion card (8 audio channels in both directions, TDIF-1 format) |
| IF-AD/DM |
ADAT expansion card (8 audio channels in both directions, ADAT Optical format) |
| IF-AE/DM |
AES3 expansion card (8 audio channels in both directions, AES/EBU format) |
| IF-AN/DM |
Analogue expansion card (8 analogue inputs and 8 analogue balanced outputs) |
Main features
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Fully 24-bit, 96kHz compatible from day one
Flexible 32-channel configuration
Standard 24-channel TDIF digital I/O interface and 8-channel ADAT Optical digital interface, two stereo AES/EBU interfaces, two stereo SPDIF Interfaces
16 Standard analogue inputs (XLR mic and 6.3 mm line) with TRS insert jacks on every channel
Advanced microphone preamps
Powerful built-in automation (radical departure from any previous system, no computer required)
100mm motorized long-throw faders
Premium-quality 24-bit A/D and D/A converters
Two option slots for additional interface modules (including AES/EBU, analogue, TDIF or ADAT)
High-quality configurable Gate, EQ and Compressor on each channel (2 stage dynamics processing)
4-band, fully parametric EQ with gain, frequency sweep and Q (bandwidth) on each channel
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Digital delay on each channel to compensate for microphone placement and digital converter delays when using external analogue equipment
Two
built-in effects processors with reverb, spatial
effects and mic/speaker modeling effects by TC Worksâ„¢, Antaresâ„¢ and
TASCAM
32 bit floating point processing offers more digital headroom when applying dynamics processing and time based effects
Comprehensive user interface, featuring large LCD screen and LED ring encoders
Two DM-24s can operate as a single integrated console via cascade mode
Extensive machine control, therefore excellent for systems built around the TASCAM MX-2424 Hard Disk Recorder
Perfect for applications from personal studios recording to commercial recording and post production facilities
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Specifications
| Analogue input/output terminals |
| MIC IN 1-16 |
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XLR-3-31, balanced |
| Nominal impedance |
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2.2kohm |
| Input
level |
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-56dBu (TRIM max) to -2dBu (TRIM min) |
| LINE IN 1-16 |
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1/4-inch TRS jack, balanced |
| Nominal
impedance |
|
10kohm |
| Input level |
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-42dBu (TRIM max) to +12dBu (TRIM min) |
| INSERT 1-16 |
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1/4-inch TRS jack, balanced |
| Nominal output impedance |
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100ohm |
| Nominal
output level |
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-2dBu |
| Maximum output level |
|
+20dBu |
| Nominal
input impedance |
|
10kohm |
| Nominal input level |
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-2dBu |
| Headroom |
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16dB |
| ASSIGNABLE SENDS 1-4 |
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1/4-inch TRS jack, balanced |
| Nominal
impedance |
|
100ohm |
| Nominal level |
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-2dBu |
| Maximum
level |
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+14dBu |
| ASSIGNABLE RETURNS 1-4 |
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1/4-inch TRS jack, balanced |
| Nominal
impedance |
|
5kohm |
| Nominal level |
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-2dBu |
| Headroom |
|
16dB |
| 2TR IN (L/R) |
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RCA jack, unbalanced |
| Nominal
impedance |
|
10kohm |
| Nominal level |
|
-10dBV |
| Headroom |
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16dB |
| STEREO OUTPUT (L/R) |
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XLR-3-31, balanced |
| Nominal
impedance |
|
100ohm |
| Nominal level |
|
+4dBu |
| Maximum
level |
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+20dBu |
| STEREO INSERT (L/R) |
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1/4-inch TRS jack, balanced |
| Nominal
output impedance |
|
100ohm |
| Nominal output level |
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-2dBu |
| Maximum
output level |
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+14dBu |
| Nominal input impedance |
|
10kohm |
| Nominal
input level |
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-2dBu |
| Headroom |
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+22dB |
| CR MONITOR OUTPUT (L/R) |
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1/4-inch TRS jack, balanced |
| Nominal impedance |
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100ohm |
| Nominal
level |
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+4dBu |
| Maximum level |
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+20dBu |
| STUDIO MONITOR OUTPUT (L/R) |
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RCA jack, unbalanced |
| Nominal impedance |
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100ohm |
| Nominal
level |
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-10dBV |
| Maximum level |
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+6dBV |
| PHONES 1-2 |
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1/4-inch stereo phone jack |
| Max output power |
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120mW + 120mW in total, 33ohm |
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| Digital input/output terminals |
| DIGITAL INPUT 1 (built-in switchable Fs converter, connector selectable) |
| (1) Connector |
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XLR-3-31 type, balanced |
| Nominal
impedance |
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110ohm |
| Format |
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Conforms to AES3-1992/IEC60958 (auto-detect) |
| Audio
bit length |
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24 bit |
| (2) Connector |
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Coaxial |
| Nominal
impedance |
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75ohm |
| Format |
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Conforms to AES3-1992/IEC60958 (auto-detect) |
| Audio
bit length |
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24 bit |
| DIGITAL INPUT 2 (built-in switchable Fs converter, connector selectable) |
| (1) Connector |
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XLR-3-31 type, balanced |
| Nominal
impedance |
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110ohm |
| Format |
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Conforms to AES3-1992/IEC60958 (auto-detect) |
| Audio bit
length |
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24 bit |
| (2) Connector |
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Coaxial |
| Nominal
impedance |
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75ohm |
| Format |
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Conforms to AES3-1992/IEC60958 (auto-detect) |
| Audio bit
length |
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24 bit |
| DIGITAL OUTPUT 1 |
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| (1) Connector |
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XLR-3-31 type, balanced |
| Nominal
impedance |
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110ohm |
| Format |
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Conforms to AES3-1992/IEC60958 (selectable) |
| Audio
bit length |
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24 bit |
| (2) Connector |
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Coaxial |
| Nominal
impedance |
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75ohm |
| Format |
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Conforms to AES3-1992/IEC60958 (selectable) |
| Audio
bit length |
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24 bit |
| DIGITAL OUTPUT 2 |
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| (1) Connector |
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XLR-3-31 type, balanced |
| Nominal
impedance |
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110ohm |
| Format |
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Conforms to AES3-1992/IEC60958 (selectable) |
| Audio bit
length |
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24 bit |
| (2) Connector |
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Coaxial |
| Nominal
impedance |
|
75ohm |
| Format |
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Conforms to AES3-1992/IEC60958 (selectable) |
| Audio bit
length |
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24 bit |
| TDIF-1 Port 1-3 |
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25-pin D-sub, female |
| Format |
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Conforms to TDIF-1 specification |
| Audio
bit length |
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24 bit |
| ADAT (IN/OUT) |
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Lightpipe optical |
| Format |
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Conforms to ADAT OPTICAL specifications |
| Audio bit
length |
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24 bit |
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| Sync and other terminals |
| WORD SYNC IN |
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BNC with termination switch |
| Nominal impedance |
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75ohm, switchable on/off |
| Input
level |
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TTL level |
| WORD SYNC OUT/THRU |
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BNC |
| Output
level |
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TTL level |
| MIDI IN, OUT and THRU/OUT2 |
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5-pin DIN x 3 |
| Format |
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Conforms to MIDI specification |
| TIMECODE IN |
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Coaxial |
| Format |
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Conforms to SMPTE specification |
| DTRS REMOTE OUT |
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15-pin D-sub, male |
| Format |
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Conforms to DTRS SYNC format |
| RS-422 (for SONY 9-pin) |
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9-pin D-sub, female |
| EXT SW |
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1/4-inch mono jack |
| METER (for MU-24) |
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25-pin D-sub, female |
| Faders |
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100mm touch-sensitive motor-driven faders x17 |
| Resolution |
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128 steps |
| GPI |
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9-pin D-sub, female |
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| Overall system specifications (fs=48kHz) |
| Sampling Frequency |
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| Internal |
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48 / 44.1kHz , 96 / 88.2kHz (high sampling) |
| External |
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within ±6.0%
from fs |
| Signal Delay |
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<1.5 ms
(LINE IN to STEREO OUTPUT) |
| THD (@ nominal level) |
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| LINE IN to INSERT SEND, 20Hz - 20kHz |
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<0.1% |
| LINE IN to STEREO OUTPUT, 1kHz |
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<0.01% |
| Frequency Response (LINE IN to STEREO OUTPUT @ nominal level) |
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20Hz-20kHz, +0.5/-1.0dB |
| Noise Level (20Hz - 20kHz, TRIM: max, 150ohm, -60dB) |
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| MIC IN
to INSERT SEND |
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<-127dBu,
typical -128dBu |
| MIC
IN to BUS/AUX OUTPUT |
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<-73dBu |
| Crosstalk (@ 1kHz) |
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| STEREO/BUS/AUX
OUTPUTS |
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>80dB |
| MONITOR
OUTPUTS |
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>70dB |
| Displays |
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| LCD |
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320 x 240 dots
LCD with backlight & contrast
control |
| METER |
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2 x 12 segment LED |
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| Power Supply and Other Specifications |
| Voltage requirements |
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120V AC, 60Hz / 230V AC, 50Hz |
| Power consumption |
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82 W |
| Dimensions (W x H x D) |
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580mm x 140mm x 592mm |
| Weight |
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20.5kg ( 9.3lbs) |
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Design and specifications subject to change without notice.
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