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Yamaha
MG Mixers
MG10/2, MG12/4, MG16/4, MG16/6FX, MG24/14FX, MG32/14FX
Plus two new models MG8/2FX, MG12/4FX
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| Eight
Superlative Mixers – Superior
Sound & Control In any Application |
Yamaha is no newcomer
to mixing console design. Youll find Yamaha consoles in
some of the most respected live venues and production studios
in the world. In fact, Yamaha has been innovating, leading,
and in many ways defining the development of modern mixing
consoles for more than 30 years.
And now we are proud to introduce the Yamaha MG-series
mixing consoles, featuring eight models ranging in
size from a small 8-channel/2-bus
unit right up to a very flexible 32-channel/14-bus type with an
impressive selection of built-in effects. No matter what your application – from
production to sound reinforcement – theres a Yamaha MG mixer
that will give you everything need … and more. There have
been no compromises. These mixers are built for great sound, total
control, and superior reliability. In fact, they undergo the same
rigorous quality and reliability tests as our world-class PM-series
mixing consoles. But, by taking full advantage of the latest Yamaha
technology and manufacturing techniques, we have been able to pack
these superlative mixers with more value than youll find anywhere
else. In short, they offer extraordinary performance and mixing
power at remarkable prices.
If you need a high-performance analog mixer for music production
or sound reinforcement, the Yamaha MG Series is the first – and
last – place you should look.
|
| Just
the Basics … With
Class |
If
you simply need to mix a few sources to stereo – but insist
on the finest audio quality available – the MG10/2
or MG8/2FX is probably the way to go. They're compact and
convenient to use, but won't compromise your signal in
any way. With an optional adaptor the MG10/2 can even be
mounted on a microphone stand for totally flexible positioning
and easy access. And the MG8/2FX's built-in effects can
take your music to a new dimension. For demo and music
production, small sound reinforcement applications, or
simply as a super utility mixer for any application, you
can't lose with these compact performers.
|
| Features Found Only on
the MG8/2FX |
 Top-quality
Digital Multi Effects Built In It may be small, but the
MG8/2FX is packed with a surprising amount of signal-processing
power. Renowned Yamaha multi-effect technology brings you
a range of reverb, delay, chorus, flanger, phaser, distortion,
and other effects built in – total of 16 types in
all (Same as MG12/4FX). Each effect program has a number
of editable parameters as well as effect on/off switching
and return level control. Additional convenience is provided
by a footswitch jack to which you can connect an optional
footswitch for effect on/off switching. |
The MG10/2 features
a total of 10 input channels: two mono microphone/line
inputs and four stereo line inputs, two of which offer
mono microphone input capability. The MG8/2FX has two mono
microphone/line inputs and three stereo line inputs, two
with mono microphone input capability. Gain trim covers
a wide -60dB ~; -16dB range for microphone input, and -34dB
~; +10dB for line input. A Variety of Input Connectors
Balanced XLR connectors are provided on both mono inputs
and two of the stereo inputs (a total of four XLR connectors),
in addition to phone jack connectors. Two of the stereo
channels can accept mono microphone input either via the
XLR or phone jack connectors. The remaining stereo input
on the MG8/2FX, and the remaining two stereo inputs on
the MG10/2, feature both phone jack and pin jack inputs
for broad connectivity. A separate stereo 2TR input with
pin-jack connectors is provided for independent input of
signals from CD players or similar sources.
|
| A Variety of Input
Connectors |
 Balanced
XLR connectors are provided on both mono inputs and two
of the stereo inputs (a total of four XLR connectors),
in addition to phone jack connectors. Two of the stereo
channels can accept mono microphone input either via the
XLR or phone jack connectors. The remaining stereo input
on the MG8/2FX, and the remaining two stereo inputs on
the MG10/2, feature both phone jack and pin jack inputs
for broad connectivity. A separate stereo 2TR input with
pin-jack connectors is provided for independent input of
signals from CD players or similar sources. |
| Four Low-noise, High-precision
Mic Preamps |
 The
microphone preamps provided on the two mono channels and
two of the four stereo channels would be worth the price
of the entire mixer if packaged separately. These are highperformance
head amplifiers that will bring out the best in any dynamic
or condenser microphone. |
| Phantom Power |
So you
can take advantage of the superior sonic quality of professional-class
studio condenser microphones, all four high-performance
mic preamps feature switchable phantom power. A single
switch turns phantom power on or off for all four channels.
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| Insert I/O |
Mono
input channels feature insert I/O patch points so you can
add compressors or EQ for vocals, a noise gate on a guitar
channel, or other extra signal processing to individual
channels as required.
|
| 3-band
Channel EQ & HPF |
Designed
for smooth, "musical" response, the 3-band equalizers
provided on all input channels are one more sonic tool
you can use to create clean, professional mixes. All mono
microphone input channels also feature a switchable high-pass
filter that can be used to cut out unwanted low-frequency
noise.
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| One
or Two Aux Sends & Stereo
Aux Return |
These
mixers are also fully equipped to handle external effects
and monitor systems. Use the post-fader auxiliary send
on the MG8/2FX or the two sends on the MG10/2 in conjunction
with the stereo auxiliary returns to add reverb, delay,
or other external effects to the mix, and the pre-fader
sends to feed a separate mix to your monitor system.
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| Stereo, Control Room,
Rec, and Headphone Outputs |
In
addition to the main L and R phone-jack stereo outputs,
these versatile
mixers also offer phone-jack control room, pin-jack recording,
and stereo phonejack headphone outputs. You have plenty
of outputs for a wide range of applications – monitoring,
master recorder feed, etc.
|
| 12-segment Meters for
Accurate Visual Monitoring |
Output
level monitoring is made accurate and easy with high-visibility
12-segment level meters.
|
| Compact, Portable Design |
Weighing
in at a mere 1.8 kg (MG8/2FX), this mixer can easily be
carried just about anywhere. You get top quality mixing
performance in the rehearsal studio, club, outdoors … wherever
you need it.
|
| Optional Mic Stand
Mount |
 What
could be more convenient than having your mixer mounted
on a microphone stand for freedom of placement and easy
access? With the optional BMS-10A Mic Stand Adaptor you
can do just that, and have your sonic control center within
easy reach all the time. This can be particularly handy
when using the mixer as a drum sub-mixer or as a cue box
in a recording situation. |
| Easy Operation and
High Reliability |
All
switches and controls used in these mixers have been chosen
for smooth, reliable operation as well as easy visual confirmation.
|
| Extensive Creative Control
In the Studio Or On Stage |
The
mid-range MG models go beyond the basics to give you extensive
control for a wide range of applications – with the
no-compromise Yamaha sonic quality that makes the MG mixers
the finest in their class. Whether music is a hobby or
profession, these mixers will deliver total satisfaction.
If you dont need effects, or already have an arsenal of
outboard favorites, the MG12/4 or MG16/4 may offer all
the capacity and capabilities you need.
|
The MG12/4 feature
a total of 12 input channels: four mono microphone/line
inputs and four stereo line inputs, two of which offer
mono microphone input capability. The MG16/4 feature eight
mono microphone/line inputs and four stereo line inputs,
two with mono microphone input capability. Gain trim covers
a wide -60dB ~; -16dB range for microphone input, and -34dB
~; +10dB for line input.
|
| A Variety
of Input Connectors |
Balanced
XLR connectors are provided on all four or eight mono inputs
and two of the stereo inputs (a total of six XLR connectors
on the MG12/4 models, and ten on the MG16/4), in addition
to phone jack connectors. Two of the stereo channels can
accept mono microphone input either via the XLR or phone
jack connectors. The remaining two stereo inputs feature
both phone jack and pin jack inputs for broad connectivity.
A separate stereo 2TR input with pinjack connectors is
provided for independent input of signals from CD players
or similar sources.
|
| Six or
Ten Low-noise, High-precision Mic Preamps |
 Six
high-performance head amplifiers in the 12-channel modes
or ten in the 16-channel models will bring out the best
in any dynamic or condenser microphone. |
| Phantom
Power |
All
high-performance mic preamps in these consoles feature
switchable phantom power for studio condenser microphones.
A single switch turns phantom power on or off for all channels.
|
| Insert
I/O |
Mono
input channels feature insert I/O patch points so you can
add compressors or EQ for vocals, a noise gate on a guitar
channel, or other extra signal processing to individual
channels as required.
|
| 3-band
Channel EQ & HPF |
Smooth, "musical-response" 3-band
equalizers are provided on all MG12/4 and MG16/4 input
channels. All mono microphone input channels also feature
a switchable high-pass filter that can be used to cut out
unwanted low-frequency noise.
|
| Four Buses
(Stereo and Group) |
In
addition to the main stereo bus, the MG12/4 and MG16/4
feature a
stereo group bus and outputs that can be used for convenient
channel grouping. Stereo and group bus assign switches
are located above each channel fader. You could, for example,
mix your instrument sources to the stereo buss while creating
separate groups for the main vocal and chorus channels … or
any bus configuration you need for your application.
|
| Aux
and Effect Sends & Stereo Aux Return |
The
MG12/4 and MG16/4 have one post-fader AUX send and one
pre/post switchable AUX send. Whichever model you choose
you have plenty of flexibility for external signal processing
and monitoring. A stereo auxiliary return is also provided.
|
| A Comprehensive Selection
Of Output Connectors |
In
addition to the main L and R XLR and phone-jack stereo
outputs,
these versatile mixers also offer phonejack control room,
pin-jack recording, and stereo phone-jack headphone outputs.
You have plenty of outputs for a wide range of applications – monitoring,
master recorder feed, etc. Phone-jack group outputs are
also provided to allow independent output of the group
bus mixes.
|
| 12-segment
Meters for Accurate Visual Monitoring |
Output
level monitoring is made accurate and easy with high-visibility
12-segment level meters on the stereo and group buses as
well as the 2TR inputs.
|
| Reliable
60-millimeter Faders & Illuminated Switches |
 Reliable,
high-performance 60-millimeter faders provide smooth, noise-free
level control. while original Yamaha illuminated ON (ST
buss assign), PFL (Pre-Fader Listen), and phantom power
switches provide easy visual confirmation of critical console
settings. |
| Compact,
Portable Design |
Compact
and surprisingly light in weight, these mixers can easily
be carried just about anywhere. You get top-quality mixing
performance in the rehearsal studio, club, outdoors … wherever
you need it.
|
| Rack
Mount Adaptors Included |
 Use
your MG mixer on a desktop or mounted in a rack – the
rack mount adaptors are provided. |
| Easy
Operation and High Reliability |
All
switches and controls used in these mixers have been chosen
for smooth, reliable operation as well as easy visual confirmation.
|
| All The Effect Processing
You Need Built In |
If the
idea of having some of the finest effects available built
right into the console appeals to you, then consider the
effect-enabled models: the MG12/4FX or MG16/6FX. You get
the same type of versatile mixing power and superior audio
performance that is provided by the non-effect models,
plus leading Yamaha signal processing quality all in one
console.
|
The
MG12/4FX feature a total of 12 input channels: four mono
microphone/line inputs and four stereo line inputs, two
of which offer mono microphone input capability. The MG16/6FX
feature eight mono microphone/line inputs and four stereo
line inputs, two with mono microphone input capability.
Gain trim covers a wide -60dB ~; -16dB range for microphone
input, and -34dB ~; +10dB for line input.
|
| A
Variety of Input Connectors |
Balanced
XLR connectors are provided on all four or eight mono inputs
and two of the stereo inputs (a total of six XLR connectors
on the MG12/4FX model, and ten on the MG16/6FX), in addition
to phone jack connectors. Two of the stereo channels can
accept mono microphone input either via the XLR or phone
jack connectors. The remaining two stereo inputs feature
both phone jack and pin jack inputs for broad connectivity.
A separate stereo 2TR input with pinjack connectors is
provided for independent input of signals from CD players
or similar sources.
|
| Six
or Ten Low-noise, High-precision Mic Preamps |
Six
high-performance head amplifiers in the 12-channel modes
or ten in the 16-channel dels will bring out the best in
any dynamic or condenser microphone
|
| Phantom
Power |
All
high-performance mic preamps in these consoles feature
switchable phantom power for studio condenser microphones.
A single switch turns phantom power on or off for all channels.
|
| Insert
I/O |
Mono
input channels feature insert I/O patch points so you can
add compressors or EQ for vocals, a noise gate on a guitar
channel, or other extra signal processing to individual
channels as required.
|
| 3-band
Channel EQ & HPF (MG12/4FX) |
Smooth, "musical-response" 3-band
equalizers are provided on the MG12/4FX input channels.
All mono microphone input channels also feature a switchable
high-pass filter that can be used to cut out unwanted low-frequency
noise.
|
| Versatile
EQ for Effective Sound Shaping (MG16/6FX) |
Mono
channels feature 3-band equalizers with HIGH (10 kHz),
LOW (100 Hz), and MID (250 Hz ~; 5 kHz mid-sweep) bands.
High-pass filters are also provided on all microphone inputs.
Stereo channels have 4-band equalizers with HIGH (10 kHz
shelving), HI MID (3 kHz peaking), LOW MID (800 Hz peaking),
and LOW (100 Hz shelving) bands.
|
| Four
or Six Buses (Stereo and Group) |
In
addition to the main stereo bus, the MG12/4FX feature
a stereo group
bus and outputs that can be used for convenient channel
grouping. The MG16/6FX has an additional two group busses
for a total of six buses. Stereo and group bus assign switches
are located above each channel fader. You could, for example,
mix your instrument sources to the stereo buss while creating
separate groups for the main vocal and chorus channels … or
any bus configuration you need for your application.
|
| Aux
and Effect Sends & Stereo Aux Return |
The
MG16/6FX has one pre-fader AUX send and one pre/post switchable
AUX send, plus an additional effect send. The MG12/4FX
has one pre/post switchable AUX send as well as an effect
send. Whichever model you choose you have plenty of flexibility
for external signal processing and monitoring. A stereo
auxiliary return is also provided.
|
| A
Comprehensive Selection Of Output Connectors |
In
addition to the main L and R XLR and phone-jack stereo
outputs,
these versatile mixers also offer phone-jack control room,
pin-jack recording, and stereo phone-jack headphone outputs.
You have plenty of outputs for a wide range of applications – monitoring,
master recorder feed, etc. Phone-jack group outputs are
also provided to allow independent output of the group
bus mixes.
|
| 12-segment
Meters for Accurate Visual Monitoring |
Output
level monitoring is made accurate and easy with high-visibility
12-segment level meters on the stereo and group buses as
well as the 2TR inputs.
|
| Top-quality
Digital Effects Built In |
Yamaha
digital signal processing is widely respected as the finest
in the industry. It may be small, but the MG12/4FX is packed
with a surprising amount of signal-processing power. Renowned
Yamaha multieffect technology brings you a range of reverb,
delay, chorus, flanger, phaser, distortion, and other effects
built in a total of 16 types in all. In the MG16/6FX you
get a complete effects system with a range of 16 superb
reverb and delay effects built right in. Each effect program
has a number of editable parameters as well as effect on/off
switching and return level control. Additional convenience
is provided by a footswitch jack to MG12/4FX which you
can connect an optional footswitch for effect on/off switching.
|
| 7-band
Stereo GEQ (MG16/6FX) |
 There's
also a 7-band stereo graphic equalizer for flexible overall
response shaping control or feedback reduction. The EQ
bands are centered at 125, 250, 500, 1k, 2k, 4k, and 8kHz,
adjustable over a 12dB range. |
| Reliable
60-millimeter Faders & Illuminated Switches |
Reliable,
high-performance 60-millimeter faders provide smooth, noise-free
level control. while original Yamaha illuminated ON (ST
buss assign), PFL (Pre-Fader Listen), and phantom power
switches provide easy visual confirmation of critical console
settings.
|
| Compact,
Portable Design |
Compact
and surprisingly light in weight, these mixers can easily
be carried just about anywhere. You get top-quality mixing
performance in the rehearsal studio, club, outdoors … wherever
you need it.
|
| Rack
Mount Adaptors Included |
Use
your MG mixer on a desktop or mounted in a rack – the
rack mount adaptors are provided.
|
| Easy
Operation and High Reliability |
All
switches and controls used in these mixers have been chosen
for smooth, reliable operation as well as easy visual confirmation.
|
| Serious
Capacity For Sound Reinforcement & Installations |
If
your application is live sound reinforcement youll want
all
the channel capacity you can get – just in case. Vocal
mics, instrument mics, stereo keyboards, direct-injection
feeds, drum mics, and the rest can add up very quickly.
With 24 and 32 input channels, respectively, the MG24/14FX
and MG32/14FX are ready to handle all but the most ambitious
sound-reinforcement setups. And with dual SPX digital effect
systems on-board you wont need racks of outboard gear to
get the sound you need. There's also a comprehensive range
of group and auxiliary busses to make even complex mixes
easy.
|
Choose
either the 24-channel MG24/14FX or the 32-channel MG32/14FX
according to your needs. All other features are the same.
The MG24/14FX has 16 mono microphone/line channels while
the MG32/14FX has 24. Both offer four stereo line channels
in addition to the mono mic/line channels. Gain trim covers
a wide – 60dB ~; -16dB range for microphone input,
and -34dB ~; +10dB for line input. Peak indicators are
also provided for effect input gain setup.
|
| A
Variety of Input Connectors |
|
Balanced XLR and phone-jack connectors
are provided on all mono inputs (channels 1 ~; 16 on the
MG24/14FX, and channels 1 ~; 24 on the MG32/14FX). Two
of the stereo channels feature both pin-jack and phone
jack connectors. A separate stereo 2TR input with pin-jack
connectors is provided for independent input of signals
from CD players or similar sources.
|
| Low-noise,
High-precision Mic Preamps |
|
All 16 mic preamps in the MG24/14FX
and all 24 mic preamps in the MG32/14FX are of exemplary
quality. They offer low-noise, transparent amplification
with the widest possible range of dynamic and condenser
microphones, which adds up to cleaner, better-sounding
mixes.
|
| Switchable
Phantom Power |
|
All mic preamps feature switchable +48V
phantom power for phantom-powered studio condenser microphones.
Phantom power is switchable in 8-channel groups.
|
| Insert
I/O |
|
points so you can insert compressors,
EQ, or other extra signal-processing gear into the channel
signal path as required. Insert patch points are also provided
on the stereo and group buses for effective output processing.
|
| Versatile
EQ for Effective Sound Shaping |
Mono
channels feature 3-band equalizers with HIGH (10 kHz),
LOW (100 Hz), and MID (250 Hz ~; 5 kHz sweep) bands. High-pass
filters are also provided on all microphone inputs. Stereo
channels have 4-band equalizers with HIGH (10 kHz shelving),
HI MID (3 kHz peaking), LOW MID (800 Hz peaking), and LOW
(100 Hz shelving) bands.
|
| 14
Buses In All For Flexible Signal Routing |
In
addition to lots of input channels, live sound reinforcement
applications
usually demand a number of additional mixes – usually
in the form of group submixes and aux sends for external
signal processing and monitor mixes. In both the MG24/14FX
and MG32/14FX you have a total of 14 mix buses: the main
stereo program bus, four stereo group bus pairs for convenient
channel grouping, six auxiliary busses (four configurable
for pre- or post-fader operation and two set up as effect
sends), and two internal effect busses that feed the dual
high-performance built-in effect processors. You can use
the bus select switches and controls on each channel to
assign the channel signal to the stereo, group, internal
effect, and AUX buses as required.
|
| Six
Aux Sends & Two Stereo Aux Returns |
All
input channels feature six AUX send controls. AUX sends
1 through 4 are pre/post switchable while AUX 5 and 6 are
post-fader sends. Two effect sends are also provided. You
choose you have plenty of flexibility for external signal
processing and monitoring in live sound-reinforcement applications.
Two stereo auxiliary returns are included, as well as return
facilities for the internal effect stages.
|
| A
Comprehensive Selection Of Output Connectors |
In
addition to the main L and R XLR and phone-jack stereo
outputs,
these versatile mixers also offer L and R phone-jack sub-stereo,
pin-jack recording, XLR mono, and stereo phone-jack headphone
outputs. You have plenty of outputs for a wide range of
applications – monitoring, master recorder feed, etc.
Phone-jack group outputs are also provided to allow independent
output of the group bus mixes.
|
| Balanced
XLR Stereo and Mono Outputs |
Professional
connectivity is provided by reliable XLRtype balanced stereo
and mono outputs.
|
| Sweepable LPF for Mono
Out |
One
of the many uses for a mono output is to drive a subwoofer
system. The MG24/14FX and MG32/14FX make this easier than
ever with a built-in 80 ~; 120 Hz sweepable low-pass filter
on the mono outputs.
|
| 12-segment
Meters for Accurate Visual Monitoring |
Output
level monitoring is made accurate and easy with four high-visibility
12-segment level meters that can be switched to display
the stereo, group, 2TR input, PFL (Pre-fader Listen), and
AFL (After-fader Listen) signal levels.
|
| Dual SPX Digital Effects |
In
the MG24/14FX and MG32/14FX you have not one, but two
highperformance
digital signal processing stages, fed by separate effect
buses, so you can enhance your mix with two separate effects
at the same time. And the effects are provided by the very
latest Yamaha DSP technology – you know you're getting
the best. Each stage provides a selection of 16 professional
quality SPX digital effects, including reverb, delay, pitch
change, chorus, phasing, vocal doubling, distortion, and
more. Parameter controls that can be adjusted to tailor
the effects to your sonic requirement are also provided
and Tap delay makes it easy to produce tempo-synchronized
delays.
|
| Reliable
60-millimeter Faders & Illuminated Switches |
Reliable,
high-performance 60-millimeter faders provide smooth, noise-free
level control. while original Yamaha illuminated ON (ST
buss assign), PFL (Pre-Fader Listen), and phantom power
switches provide easy visual confirmation of critical console
settings.
|
| Talkback
Input |
Communication
capability is important for efficient setup as well as
for keeping a show running smoothly. The MG24/14FX and
MG32/14FX both feature a talkback system that allows the
FOH engineer to communicate with the monitor engineer,
performers, or other staff to keep the team operating at
optimum efficiency.
|
| Compact,
Portable Design |
Compact
and surprisingly light in weight, these mixers can easily
be carried just about anywhere. You get top quality mixing
performance in the rehearsal studio, club, outdoors … wherever
you need it.
|
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