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G
& L
ELECTRIC GUITARS By Leo Fender |
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G
& L ELECTRIC GUITARS By Leo Fender
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Model
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Body
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Colors
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RRP
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Our
Price
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ASAT
Classic Std |
Basswood |
Black,
Red, Blue Metallic |
$1,075 |
$909 |
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ASAT
Classic Prem |
Swamp
Ash
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Natural,
Amber, Cherryburst |
$1,150
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$979 |
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ASAT
Classic S-Hollow |
Swamp
Ash |
Special
1 only |
$1,399 |
$1,099 |
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ASAT
Classic Prem |
Swamp
Ash |
As
above but CherryBurst |
$1,150 |
$1099 |
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ASAT
Special Std
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Basswood
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Black,
Red, Blue Metallic |
$1,075 |
$909 |
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ASAT
Special Prem |
Swamp
Ash |
Natural,
Amber,
Cherryburst |
$1,150 |
$989 |
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ASAT
Special S-Hollow |
Swamp
Ash |
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$1,399 |
$1,189 |
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Legacy
Standard |
Basswood |
Black,
Red,
Blue
Metallic
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$999 |
$859 |
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Legacy
Plus |
Basswood |
As
above but Amber |
$999 |
$859 |
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Legacy Premium |
Swamp
Ash |
Natural,
Amber, Cherryburst |
$1,075
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$909
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Legacy
HB Standard |
Basswood |
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$1,099 |
$929 |
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Legacy
HB Premium |
Swamp
Ash |
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$1,175 |
$999 |
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Invader
XL Standard |
Basswood |
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$1,150 |
$979 |
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Invader
XL Premium |
Swamp
Ash |
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$1,199 |
$1,019 |
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S-500 Standard |
Basswood |
Black,
Red,
Blue Metallic |
$1,125 |
$949 |
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S-500
Premium |
Swamp
Ash |
Natural,
Amber, Cherryburst
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$1,350
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$1,149
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Willy
Ray Signature |
Basswood |
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$2,099 |
$1,785 |
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G
& L USA Models |
RRP
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Our
Price
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G
& L ELECTRIC GUITARS By Leo Fender
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G
& L ELECTRIC GUITARS By Leo Fender
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Leo
Fender and G & L Guitars
History

George
Fullerton and Leo Fender, 1980
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George
Fullerton, 1954
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Leo
and Phyllis Fender, circa 1982
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Leo Fender passed away
on a rainy day in March of 1991, an event which shook the Music World: The
father of modern music was gone. It was on that very day that Leo had completed
his last prototype instrument, after which he declared to his wife Phyllis
that he had given all he can to the musicians of the world.
Before
his passing, he wanted to be sure that the legacy of
G&L would continue to shine even brighter in the
future. He knew that he must look after the people of
G&L, his family, so that they would reamin secure
and free to continue building the finest guitars and
basses in the world.
His
wife Phyllis shared his dream, and she chose BBE Sound,
under the leadership of Chairman John C. McLaren, to
take over the management of G&L and to expand and
develop it in the way Leo would have wanted. Leo had
begun discussions several years before with John, who
Leo respected greatly. Leo was confident that John could
make Leo's dreams for G&L's future become reality
and felt he could entrust John to continue his work with
G&L, in which he took such great pride. John shares
Leo's vision of G&L as a maker of superb hand crafted
instruments.
The
arrangements were made that the ownership would be transferred
to John's company, BBE Sound. George Fullerton remains
as a permanent consultant, and Leo's wife Phyllis remains
as Honorary Chairman of G&L - reminders to the world
that the spirit and integrity of Leo Fender will continue
on in every instrument made at G&L.
Today,
John C. McLaren, the Chairman of BBE Sound, continues
to manage G&L, while his son John Jr. is Plant Manager
of the G&L Factory. John Jr. always had a deep respect
for Leo and visited him regularly at G&L during the
1980s while working at Fender Musical Instruments, back
when Fender was located on nearby Valencia Avenue. John's
other son, David, is responsible for international sales
and marketing for G&L, and he too is dedicated to
preserving the memory and rich history of Leo Fender.
Today
the G&L factory continues production as Leo would
have wanted. His private workshop, the epicenter of
his creativity, remains untouched as it was on his
last day and has been visited by music people from
around the world. There are no computers or robots
popping out guitars with uniformity but no soul. The
people of G&L, his people, continue to hand craft
the instruments with love, dedication and great skill.
In preserving the uniqueness of G&L and respecting
the vision of its founder, John C. McLaren said, "G&L
will always be willing to make changes. Leo Fender
was a symbol of change and evolution for the benefit
of musicians. But for any change that is considered,
we must first ask ourselves, 'Would Leo have wanted
it this way?' If yes, then we do it. If not, then we
will not. We always want to feel that Leo Fender would
be proud of today's G&L."
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