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Zoom G7.1ut |
| Energizer
using 12AX7 tube |
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| Giving body to the guitar sound and adding
supple power and
intensity - that
is the task of
the Energizer.
Turning up the
TUBE control to
drive the 12AX7
produces warm crunch
with rich harmonics.
The BOOST control
spruces up highs
and lows, resulting
in more transparency.
Enjoy a powerful
tone also when
recording directly
to a line input
or via USB on a
computer. |
| ZFX-3
- a 32-bit DSP
designed by ZOOM |
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| The heart of any multi-effect device
is its processor
and decoder section.
ZOOM has started
a fresh chapter
with its new ZFX-3
chip. The 32-bit
architecture ensures
outstanding performance
and allows smooth
and detailed signal
processing. Accuracy
and speed ensure
that even delicate
picking and fingering
work come across
with impressive
clarity. |
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| DSP
sound modeling plus tube circuitry create
the ultimate in distortion |
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96
kHz sampling and 24-bit A/D/A conversion
assure super high resolution sound. An abundance
of signal processing power allows accurate
recreation of the complex upper-range harmonics
that are the hallmark of tube amplifiers.
Analog circuitry using a 12AX7 tube then
adds that classic warmth and sonic impact
to the DSP sound. The result combines the
best of the digital and analog worlds: distortion
so advanced and sophisticated it elevates
your guitar playing to the next level. |
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| Preamp section
with two channels |
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The
preamp section, comprised of the amp/drive-modeling,
and EQ modules offers two channels per patch.
You can easily select a channel by simple
foot switch operation. Toggle between a Fender
clean sound for rhythm and a Marshall drive
sound for lead, while keeping modulation
and spatial effect settings the same. The
user interface with analog knobs lets you
shape the sound with the same facility as
on a guitar amp.
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| Great for stage
work or direct recording |
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The
amp/drive-modeling blocks have two dedicated
algorithms for each amp/drive type, designed
for live playing and direct recording. The
CABINET effect simulates amp and mic recording
characteristics as well, and the algorithm
is automatically switched according to the
CABINET on/off setting.This lets you bring
the same guitar sound that you used during
practice or recording right on to the stage.
Alternatively, sound settings that were determined
during a session with the band can be used
seamlessly in the studio as well.
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| Amp select
feature |
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This
function optimizes frequency response to
match the amp that you are using. Settings
are available to get the best out of popular
models such as Roland JC-120, a Fender combo,
and a Marshall stack. The -10 dBm/+4 dBm
output level switch allows the G7.1ut to
be used as a preamp, directly connected to
the power amp input of a guitar amplifier.
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| 6-band graphic equalizer |
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The
built-in EQ module has six frequency bands
optimized for electric guitar. Peaking type
filters in the crucial middle range (400
Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented
by shelving type filters at the low and high
end (160 Hz and 12 kHz). This ensures the
shortest possible route from inspiration
to actual sound. |
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| 32-bit processing
for a wide choice of high-quality guitar
sound effects |
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Ranging from trusty old standards to
advanced choices for specialized needs, the
effect collection of the G7.1ut comprises
92 effects in 9 modules. Pick an MXR Dynacomp,
famous for its unusual compression action,
or select wah pedal simulations such as VOX
and CRYBABY. Choose from three types of chorus
for creating a solid, wide sound stage. Access
seven types of reverb with transparent, unblurred
sound. And the list goes on: tremolo with
selectable modulation waveform, bend chorus
with individual pitch bending, harmonized
pitch shifter, multi-tap delay even reverse
delay. These professional quality effects
will fuel the creativity of every guitarist.
The preamp section and wah/filter effects
allow changing the module insert position
for even more advanced tonal control.
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| Preset patches
ready to use for recording or live performance |
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Whether you are after a true-blue vintage
tone or fat high-gain sound, you will find
a choice here. There are settings that accurately
simulate well-known amps and stomp boxes,
settings that are modeled on the signature
sound of famous guitarists, as well as totally
original ZOOM effect sounds. The past and
the future of guitar sound is right there
at your fingertips. The G7.1ut comes preprogrammed
with a total of 80 preset patches. For creative
leeway, a user area capable of storing the
same number of patches is also provided.
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| Intuitive interface
great for stage use |
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Each
of the four analog style rotary knobs let
you directly edit parameters on-the-fly,
a total of four simultaneously. The LCD panel
clearly shows patch and parameter names.
Direct access keys are provided for each
module. The advanced user interface is designed
to ensure hassle-free operation, while not
getting in the way of your creativity. On
stage, the foot switches allows easy effect
bank selection, module and hold delay on/off
switching or tap tempo input. The self-lit
switches show module status at a glance.
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| Real-time modulation
for 4 simultaneous parameters fosters lively
playing |
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The
built-in expression pedal allows control
over effect parameters in realtime. Common
pedal effects such as wah, pitch, and volume
control are ofcourse supported, but you can
also opt to adjust drive gain, modulationrate,
delay/reverb mix level, and other parameters.
Up to four parameterscan be assigned to a
single pedal, allowing dramatic techniques
such asraising the chorus, delay, and reverb
at the same time. Create a rotary speaker
style sound by varying tremolo, chorus, and
auto-panning rate. Also,the ARRM (Auto Repeat
Real-time Modulation) function is capable
of producingrhythmical tone changes, opening
up a wealth of possibilities.
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| World's fastest
patch change speed: 7 ms |
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Switching patches has never been smoother
or less noticeable. With its record-setting
speed of 0.007 seconds (7ms), the G series
never miss a beat.When changing to a lead
preset in the middle a song, you no longer
need to press the switch in advance, simply
push the foot switch and start playing your
solo.
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| Built-in tuner
supports special tuning requirements |
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The
guitar tuner can be called up instantly by
pushing a dedicated footswitch. In addition
to the standard auto-chromatic tuner, various
othertuning methods for guitar and bass are
possible, and open tunings are alsosupported.
High-brightness LED indicators make the note
readout easy to seeon a dark stage. The calibration
range is A 435 to 445 Hz, and muted tuning(without
sound output) is also possible. Tuning your
guitar has never been easier or more convenient
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| ZNR keeps playing
pauses really quiet |
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The
built-in ZOOM Noise Reduction (ZNR) provides
optimized signal performance for guitar.
While minimizing any alteration of the original
sound, ZNR cuts unwanted noise during pauses.
Tails of sustained notes remain unaffected,
with a long natural release.
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| Ultra low noise
design with 120 dB S/N ratio and -100 dB
noise floor |
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With
an amazing rated signal-to-noise ratio of
120 dB and a -100 dB noise floor, background
noise ceases to be a problem, leaving only
superbly clean, transparent sound.
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| Sturdy metal
chassis and rubber damping for superior
toughness and durability |
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The
combination of a solid metal chassis with
shock-absorbant rubber damping ensures that
the unit can stand up to the rigors of on
stage use. Take it on the road or bring it
into the studio, the G7.1ut will not let
you down. And it looks great, too, the stylish
two-tone coloring using silver and black,
rounded shape, and chrome-plated parts give
the unit a high-class, futuristic appearance.
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| USB
based audio interface functions |
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The
USB port allows the unit to function as an
audio interface for a computer. Simply plug
the unit in to your computer with a USB cable
to use the high-quality sound of the G7.1ut
in a computer-based recording system. The
high-performance DAW application "Cubase
LE" comes bundled with the unit, so you can
start creating sophisticated music straight
away. Because playback from the DAW application
can be monitored at the unit itself, there
are no latency problems during recording.
Supported OS:
Windows XP / Mac OS X 10.2
or later
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*Steinberg and Cubase are
registered trademarks of Steinberg Media Technologies
GmbH.
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| MIDI
IN/OUT jacks allow linking to other equipment |
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The
ability to exchange MIDI data with other
devices opens up a wealth of possibilities.
You can switch patches in conjunction with
a MIDI enabled preamp, or use the unit as
a real-time controller for other MIDI equipment.
By connecting the MIDI interface to a computer,
you may use a dedicated editor/librarian
application to edit and store patch data.
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| AUX IN jacks
accommodate external sources |
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The
playback signal from external sources can
be plugged-into the AUX input. Jam along
with a rhythm machine, external CD or mp3
player. You may also utilize the connectors
as a stereo line input to record audio into
your computer via the USB interface.
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| EFFECT
LIST |
| COMP module |
| Compressor |
Rack Comp |
Limiter
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| WAH/EFX1 module |
Auto
Wah
Tremolo
Slow
Attack
Pedal
Resonance
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Auto Resonance
Phaser
Vox Wah
Octave
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Booster
Ring Modulator
Crybaby Wah
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| ZNR Module |
| ZNR |
Noise Gate |
Dirty Gate
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| PRE AMP module |
FD
Clean
HW Clean
Tweed
Bass
Z Combo
Rect
Vintage
PV
Drive
TS808
RAT
Hot
Box
Metal
Zone
FZ
+ M
Stack
Digi
Fuzz
|
VX Clean
UK Blues
BG Crunch
MS Crunch
HK
Drive
Z Stack
Centaur
DS-1
Fuzz
Face
TS
+ F
Combo
Z OD
Z Clean
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JC
Clean
US
Blues
VX
Crunch
MS
Drive
DZ
Drive
Over
Drive
Guv'nor
dist
+
Big
Muff
SD
+ M
Stack
Extreme
DS
Acoustic
Sim.
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| EQ module |
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| CABINET module |
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| MOD/EFX2 module |
Chorus
Flanger
Vibrato
Tape Echo
Mono
Pitch
Cry
Comb
Filter
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Stereo Chorus
Pitch Shifter
Step
Dynamic
Delay
Harmonized
Pitch
Reverse
Delay
Air
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Chorus Ensemble
Pedal Pitch
Delay
Dynamic
Flanger
Pedal
Mono
Pitch
Bend
Chorus
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| DELAY module |
Delay
Analog Delay
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Ping Pong Delay
Reverse Delay |
Echo
Air
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| REVERB module |
Hall
Arena
Early Reflection
Ping
Pong
Delay
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Room
Tiled Room
Multi Tap Delay
Auto
Pan
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Spring
Modern Spring
Pan Delay
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| REAR
PANEL |
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| G7.1ut SPECIFICATIONS |
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●Effect Types:
92 ●Effect Modules: 9 ●Maximum
Simultaneous Effects: 9 ●Patch
Memory: User 80+Preset 80, Total
160 ●Sampling Frequency:
96kHz ●A/D Conversion: 24bit,
64times over-sampling ●D/A
Conversion: 24bit, 128times over-sampling ●Signal
Processing: 32bit ●Frequency
Response: 20Hz-40kHz +1.0dBA-3.0dB
(10kΩload) ●Guitar Input:
1/4" phone jack (Rated input level:
-10dBm, Input impedance:1MΩ) ●AUX
Input: 1/8" stereo phone jack (Rated
input level: -10dBm, Inputimpedance:
10Ω) ●Line Output
(L/MONO, R): 2 x 1/4" phone jack
(Rated output level:-10dBm/+4dBm,
Maximum output level: +19dBm, Output
load impedance: 10kΩ or more,
Output Impedance: 1kΩ) ●Headphone
Output: 1/8" stereo phone jack
(Rated output: 60mW /32Ω load,20mW
/300Ω, Output impedance: 47kΩ) ●Tube
Circuitry: 12AX7 ●Control
Input: FP02 ●MIDI: IN / OUT ●USB
Interface: 16bit, 32kHz/44.1kHz/48kHz ●Display:
2digit 7segment LED display, backlit
LCD ●Power Requirements:
15V AC, 1.5A ●Dimensions:
460(W) x 235(D) x 81(H)mm ●Weight:
4.0kg ●Supplied Accessory:
AC adaptor (AD-0012) ●Optional
Accessories: Expression pedal (FP02)
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* 0dBm=0.775Vrms
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