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The TimeLine Multi-Dimesional Delay is
the world’s finest and most versatile delay product.
96KHz processing buffered by
dual 12AX7’s produces un-compromised signal quality of
the processed sound, while the analog dry path
ensures transparency. From vibrato,
phasing, flanging and chorus, to slap-back, long
echoes, multi-head and reverse,
the TimeLine’s continuous controls let you create
your sound simply by turning
knobs. The user presets, tap tempo, strum tempo,
2-track looping, and MIDI implementation
make sure the TimeLine delivers in any performance or studio application.
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MP3 FILES |
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Slap – A
quick delay (about 120ms) with some filtering
and a touch of time-smearing to achieve a great
traditional slapback echo sound. The wet/dry
mix is set to 50% for a classic effect. |
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Dreamy – A
lush delay that showcases the beauty of slow
modulation with time-smearing, grit and a filter
that focuses the tone of the repeats over time.
This one goes on and on… |
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Roto – A
sub-5 millisecond delay with lots of modulation
and a full-wet mix creates a great rotary speaker
vibe. Add some filtering and a touch of grit
for smoke-filled venues. |
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DigSubdivide -
A straight digital carbon-copy delay. The TimeLine’s
sub-divide settings make this kind of rhythmic
delay easy to achieve. |
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Chorus – A
slowly modulated delay of 25ms or so with no
repeats and a 50% wet/dry mix creates a classic
chorus. The TimeLine creates a beautiful stereo
image and allows you to tailor the sound with
the filter, grit and smear controls. This clip
showcases a clean, full-bandwidth chorus sound. |
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Spacey – A
short delay with repeats set at maximum to ensure
oscillations. Add a heavy dose of slow modulation
to tilt everything sideways. The grit and filtering
create a fat, musical runaway delay. At the end
of the guitar notes, the delay time knob is tweaked
for some sci-fi fun. Take your Dramamine for
this one. |
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Reverse – Always
fun to play with, the TimeLine’s Reverse mode
allows for a full 2.5 second of delay with all
features fully functional. |
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ResoEQ – This
example shows how a short delay (1 to 10ms) with
lots of feedback (repeats) creates a resonant
filter with tuning determined by the delay time.
This is essentially a flanger with a Manual control.
This clip shows the same riff with different
delay times. Dry at first, then various delay
times. |
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Eight continuously variable controls: