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You choose the tone! With
fourteen modules to choose from and more in the works, having a new amp
is as simple as plugging in a new module. Start with as few as one, or
as many as you like and have all your favorite tones right at your fingertips.
All modules can be used for the RM4 preamp, RM combos and RM heads. All
modules utilize the same panel layout, which includes Gain, Bass, Mid,
Treble and Master controls. |
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bright switch is included directly under each Bass control. Each preamp
module houses two 12AX7 tubes which can be easily changed or replaced.
Use the thumbscrewa to remove or secure each module to the front panel
of every MTS amplifier. |
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* Ultra
(Extreme hi-gain, with tight low end and liquid sustain. This one
exemplifies the Randall tone, and is perfect for any classic to
modern metal tone.)
* Ultra Lead
(Hi-gain lead tone with rich harmonic sustain. Great solo and lead
module with thick mid-range.)
* Modern
(Modern Hi-gain distortion. For modern rock to nu-metal rock tones.)
* Treadplate New for
2006
(Based on the preamp circuit of a Mesa/Boogie® Dual Rectifier.
Cutting tone with strong mid-range. It has defined the modern day
rock and Nu-Metal tone.)
* JTM
(Based on the preamp circuit of a classic Marshall® JTM45. Classic
mid-gain amp with good bottom end.)
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*Tweed
(Based on the preamp circuit of a '59 Fender® Bassman™.
Great for all blues tones with a huge bottom end and nice bite in
the gain circuit.
Perfect for SRV.)
* Blackface
(Based on the preamp circuit of a Fender® Blackface Twin™.
Legendary clean tone with cutting mid-range and sparking highs. The
standard for a wide-range of cleans.)
* DLX
(Based on the preamp circuit of a Fender® Blackface Deluxe™.
Tone that bleeds country music. Great mid-range and top end spank,
with more bite than the Blackface.)
* Clean
(Very warm and round. A perfect clean tone for the jazz and blues
guitarist, or any guitarist looking for a smooth, robust, clean sound.) |
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SL +
(Based on the preamp circuit of a hot rodded Marshall® Super
Lead. We give the classic Super Lead circuit a bit more gain and
punch. It will handle anything from Zeppelin to Zakk.)
* Plexi
(Based on the preamp circuit of a classic Marshall® Plexi. Anywhere from
Page, to Angus, to Gibbons. The amp that defines 70's rock and punk tone. )
* Top Boost
(Based on the preamp circuit of a Vox® AC30TB with a little more kick in
the front end. Chimy hi-end that will handle anything from classic Petty, to
Brian May to modern Lenny Kravitz.) |
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Brown
(Classic hi-gain brown sound. A basic hot-rodded Plexi with great mid-range sustain.
Great for early EVH and 70's rock as well as dirty tone from early 90's grunge.)
* XTC
(Based on the preamp circuit of a Bogner® Ecstasy red channel. An all around
great hi-gain tone with tight low end and cutting mid-range. It will cover any
rock to metal tone. This one screams!)
UltraXL
A modern version of our legendary hi-gain tone, the new Ultra XL has massive
amounts of liquid gain combined with huge bottom end and cutting upper mid-range.
A true legend in the making! |
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