 |
|
|
 |
|
|
The
TSL60 has a 100% pure, all-valve signal
path (4x ECC83 preamp valves, 2x Svetlana
EL34 power valves) and a host of 'guitarist
friendly' features.
The Clean channel has its own controls
for Gain, Treble, Middle,
Bass and Reverb. Like
the 100 Watt TSL100 head the TSL60 is
capable of a wide range of harmonically
rich, clean tones - from warm, round
jazz to bright country twang. Furthermore,
when the Gain control is cranked, their
so-called Clean channel produces a wonderfully
authentic, bluesy crunch.
The Crunch and Lead channels each have
independent controls for Volume and
Gain while sharing controls for Treble,
Middle, Bass and Reverb. They also share
a front panel Tone Shift switch
which, when activated, reconfigures
the mid-range to produce a chunky, 'scooped'
sound. This is perfect for producing
modern, high-gain crunch tones and also
for beefing up your sound when playing
at low volumes.
In keeping with its impressive TSL lineage,
the Crunch channel's Gain control will
take you from a mild, almost clean crunch,
all the way through to a saturated overdrive,
perfect for aggressive rhythm work and
even soloing. Then, as you'd expect
from any amp worthy of sporting the
JCM2000 badge, the Lead channel goes
a step (or four!) further and is capable
of producing some of the highest levels
of distortion ever found in a Marshall.
More importantly, it does this in a
highly musical way so your notes remain
clear and well-defined, even when the
gain is full!
- 2x EL34 output valves and 4x
ECC83 Preamp Valves
- Footswitchable Accutronics Spring
Reverb with Dual controls (one for
Clean, one for Crunch/Lead)
- Presence control, Deep switch
and footswitchable
Parallel FX loop
- XLR
DI output featuring Marshall's
acclaimed speaker emulation, allowing
direct connection to recording or PA
mixing desks without the need for microphones
or DI boxes
- A ruggedly built, 5-way LED footcontroller
which gives you the ability to switch
between the three individual channels,
plus switch the Reverb and FX Loop on/off |
|
|
|
